I don’t do a whole lot of lists, but I’m not immune to them. If I ever got really full of myself (or something stronger) and did one that was titled something like “The Ten Most Beautiful Records Ever Made,” Jeannie Kendall, who most of the world has never hear of, and is remembered by most of those who have for “Heaven’s Just a Sin Away” and nothing else, would probably be singing on about seven of them.
One of those would be her recorded version of “Making Believe,” which would also top any list entitled “The Greatest Versions of ‘Making Believe.'”
And “Making Believe” is one of the few songs that actually has enough great versions to warrant a list. It’s one of those songs nearly every country giant (and not a few from other fields) has not only taken a crack at but done justice by. The great country women, either soloing or duetting (as Jeannie did with her father) have been especially drawn to it: Kitty Wells, Dolly Parton, Wanda Jackson, Anita Carter, Emmylou Harris, Loretta and Conway, Patty and Vince. That’s in addition to Merle Haggard, Connie Francis, Willie Nelson, Johnny Cash and Ray Charles.
You know, like that.
Just at the high end. Just for starters.
But on record, nobody made it cut like the Kendalls.
My improbable discovery of the past week was that they made it cut even deeper on Austin City Limits, way back when:
And my other not-so-improbable discovery of the week is that it still doesn’t cut as deep as “Just Like Real People” or “Put it Off Until Tomorrow” or “I’m Coming Down Lonely,” which is so obscure that it’s not even on YouTube.
So my final not-so-improbable discovery of the week is that we’re not living in a perfect world just yet.
But, you know, stay tuned. Anything could happen.