Just for fun…here’s the rules:
1) I didn’t include solo artists who are in the Rock and Roll Hall of Fame as part of a group or one off groups who contain Hall of Fame members (so no Jerry Butler or Derek and the Dominoes for instance).
2) I didn’t include comps (no Dionne Warwick, Paul Revere and the Raiders, etc. who I know mostly through greatest hits packages).
3) I didn’t include anyone who has been inducted in one of the “extra” categories (so no Carole King, since she’s in as a songwriter).
4) I didn’t include anyone who isn’t eligible yet (No Roots or Moby, for instance….you’d be surprised how often this comes up in on-line discussions…for the record, an artist becomes eligible in the “Performer” category 25 years after the Hall determines they released their first record).
5) As the title of this post indicates, I didn’t include artists who have been nominated but not inducted (so no War or Spinners, who would otherwise have multiple entries)
6) This is not an argument that any or all of these acts should actually be in the Hall of Fame. Some should be, some shouldn’t, but I’ve made those arguments elsewhere (you can check the Rock and Roll Hall of Fame category on the right for further details if interested).
All that to keep it simple. Like to 25 or so**. Otherwise it was gonna get complicated. (**Note, that 25 was a general number for the total. Pretty sure it’s gonna be more like 30…or so. I keep remembering.)
So, in roughly chronological order (by year, but I didn’t look up month and day for those in the same year):
The Shangri-Las I Can Never Go Home Any More (1965)
Note: I’ve never actually owned this album. I do have the original release Shangri-Las 65, which would be worthy on its own. This drops “Dum, Dum Ditty” (perhaps their weakest track) and adds the title track (one of their greatest) so it’s a no-brainer it’s the better album, even before taking the killer cover photo into consideration. I have a private theory that this cast a longer and deeper shadow than Rubber Soul. Me and Amy Winehouse are going to collaborate on a white paper proving this theory next time we get together at the big think tank in the sky. No neocons allowed.
Pick to Click: “Never Again”
Note: A racially transgressive sound that’s still radical. Oh, what might have been.
Pick to Click: “Signed DC” (pretty sure the Moody Blues cashed the intro into “Nights in White Satin”…roughly speaking)
Love Forever Changes (1967)
Note: This is enough of a touchstone of its era it actually creates a backlash of sorts. You can prove how hip you are by preferring some other Love album to this one. Heck, you might even be right. I’ll just make my own distinction by saying several of Love’s other albums are great. This one’s on the order of a miracle. (Even with the guess-you-had-to-be-there cover, which will be a developing theme here!)
Pick to Click: “Bummer in the Summer”
Moby Grape (1967)
Note: Another touchstone but not too many people insist anything else they did was greater. With reason. Not too much anybody did was greater.
Pick to Click: “Omaha”
Manfred Mann The Mighty Quinn (1968)
Note: American version of an LP that was called Mighty Garvey in England (with a slightly different track selection). In case that and the cover aren’t 1968 enough for you, it actually has a (wonderful) song called “Cubist Town.” Didn’t sell, even though the title track was a big hit, and didn’t get them any street cred, even though it didn’t sell. I picked it up on a very strange and exhilarating day in 1979 which also involved Boone, North Carolina, a surly record store manager, choir practice, “Beach Baby,” “Cruel War,” a made-for-TV Monkees comp and my first ever speeding ticket. Basically the kind of day you can only have when you’re eighteen. Either that or in a dollar store somewhere a short time later. The memory hazes. Either way, It’s been making me smile ever since.
Pick to Click: “Each and Every Day”
Clarence Carter This Is Clarence Carter (1968)
Note: Most of the soul giants have at least been nominated. No love for Clarence. Then again he never sounded like a guy who expected to be treated fairly and on his first album, his mournful side meshed perfectly with his definitivelly wicked sense of the absurd.
Pick to Click: “Do What You Gotta Do”
Joe South Introspect (1968)
Note: Did somebody mention 1968? Based on the cover, South might have been hanging out at Haight-Asbury. He was actually hanging out in Nashville and Atlanta which meant the entire world had gone crazy or he was some kind of visionary who couldn’t be explained by ordinary marketing schemes. I’ll take both. The still, small voice in the back of everyone’s mind, who stayed there even after “Games People Play” broke wide open.
Pick to Click: “Redneck”
The Turtles The Turtles Present the Battle of the Bands (1968)
Note: Chasing cred, they parodied themselves and everybody else. They sort of got the cred and would have really gotten it if the biggest parody (“Elenore”) hadn’t gone top ten everywhere in the English-speaking world. That’s all very representative. It should have been a catastrophe on every level. Instead it came out…wistful. They probably liked themselves better than they thought.
Mother Earth Presents Tracy Nelson Country
Note: Actually this and Mother Earth’s Living With the Animals got swept away in the great CD selloff of 2002 (along with about 98 percent of the collection I had been building for fifteen years…life’s for making mistakes and regretting them as they say) and I’ve never managed to either forget or replace them. There’s nothing here to match Animals’ “Down So Low” but my memory is that this one was more cohesive. Brilliant in any case and as foundational of the alt-country concept as anything Gram Parsons was involved in.
Pick to Click: “Why, Why, Why”
Nancy Sinatra Nancy (1969)
Note: The other side of the sixties (a long way from Manfred Mann, let alone Tracy Nelson), where Show Biz never died and still contained multitudes. I said my piece about this one here.
Pick to Click: “I’m Just in Love”
Fairport Convention What We Did on Our Holidays (1969)
Note: Let’s put it this way. The name of the album is What We Did on Our Holidays. One of the cheerier tracks is called “The Lord Is in This Place…How Dreadful Is This Place.” That’s telling it like it is baby!
Pick to Click: “Meet On the Ledge”
Fairport Convention Unhalfbricking
Note: Oh death, where is thy sting? Right here? No, no, that was our last album. Cheer up lads. Affirmation has arrived. Sort of. Time for the seventies to begin, maybe?
Pick to Click: “Si Tu Dois Partir”
(Volume 2: The Seventies, and Volme 3: The Eighties, to follow…soon, I hope)