“I never went to a single Presley movie and I never, not even once, not even for “Hound Dog,” bought a single Presley record. Even then I knew Julie London had a better voice.”

(Roger Ebert. Source: Review of Easy Come, Easy Go, 1967)

I’ll put my vinyl-diving credentials up against Roger Ebert’s any day. And speaking as one of the world’s more devoted Julie London fans, I can’t really add anything to this. If I started, I’d have to rearrange all the previously accepted boundaries of surrealism in order to actually arrive at a conclusion.

It doesn’t seem worth the effort somehow.