…Of the movie western that is.
I pass this sequence along without comment beyond stating that Alison Anders is a fine director (loved her Grace of My Heart, which will be a likely subject for a post some day if I can ever get hold of it again) and Anthony Mann is one of my own “top five” directors (and an easy second among directors of westerns).
I’m not in love with John Ford’s movies. They are staples, and it’s like saying you don’t like bread—Ford’s films are in all filmmakers’ foundations, somewhere, it’s inescapable. But when it comes to being in love with movies, I’m more of an Anthony Mann girl.
(Alison Anders, Source: Criterion Collection Website “Top Tens”, where she placed Ford’s “Young Mr. Lincoln” fifth in her personal Top Ten, but, oddly, did not include any of Mann’s films.)
Q: About a year ago we interviewed Howard Hawks. Your thoughts on what brings strength to a character echo some of his. Were you influenced by Hawks?
A: I don’t think so. The director I studied most closely, my favorite director, is John Ford. In one shot, he expresses location, content and character more quickly than anyone else can. He has the strongest visual conception of things, and I believe in a visual conception of things. The shock of glimpsing an entire life, an entire world, in a single little shot is much more important than the most brilliant dialogue.
(Anthony Mann, Source: DVD booklet, The Furies: A Film by Anthony Mann, “Intervew With Anthony Mann” by Charles Bitsch and Claude Chabrol, from March, 1957)
Oh, and one other thing: Mann’s interviewers moved quickly along.
They always do, when you give the wrong answer.