FILLING THE SPACE…WITH ELECTRICITY (Found in the Connection: Rattling Loose End #114)

Not sure if it was the presence of Vicki Peterson (subbing for Charlotte Caffey), or the acoustics in Jay Leno’s old studio, or the awareness that it was a one off to promote a song that cut everything on the radio to shreds the three or four times it played in your market before it disappeared, but this is the best live singing I’ve ever heard from the last great rock ‘n’ roll band:

 

WHEN THE GO-GO’S RULED…AND WHY (Found in the Connection: Rattling Loose End #107)

I just came across this clip from a Go-Go’s’ concert on Germany’s Rockpalast. It’s from smack dab in the middle of their three-year run on the charts. There is much better live footage of them across the years. They look exhausted here, ripe subjects for burnout and Exhibit A of “paying the price for too much too soon” even if it probably felt like a hundred years to them.

But….

I’ve never seen any other clip which demonstrates so clearly why they were the last great rock ‘n’ roll band, even if it turns out the members of the last great “rock” band are waiting to be born.

Except for the Who, no band ever had so many folks fighting for so little space…and the Who thrashed at each other as often as they meshed.

The Go-Go’s had at least three people playing what amounted to lead instruments and two of those were the rhythm section. They traded their licks at a speed that made everybody else who bothered trading licks (not all that many) sound like they were playing underwater. It really shouldn’t have worked and it wasn’t exactly to their advantage that they made it look–and sound–so easy.

And, brief as it is, this is the best look at Kathy Valentine’s hands I’ve ever seen. She’s playing a top ten hit (which she wrote) at Ramones’ speed, while carrying a melody line the Ramones would have killed for….all on a bass guitar.**

And she doesn’t dominate….Because even her hands aren’t faster or more fluid than Charlotte Caffey’s or Gina Schock’s or even Jane Wiedlin’s, all of whom knew a thing or two about carrying the melody and the beat themselves, even if they only had three seconds to do it before they threw it back to whoever threw it at them.

I’ve said it before, I say it again. They were the first and last “all female” band to have a #1 album in Billboard. When folks predicted there would surely be many more such bands, I said: “Not if they have to play like that.”

When there’s only one, there’s usually a reason….it’s worth remembering that now, when we are further removed from them than they were from Fats Domino and still waiting for someone to beat their time.

**To be fair, even the Go-Go’s didn’t write many melodies as compelling as “Vacation.”

THE LAST SURF CITY (Found in the Connection: Rattling Loose End #100)

I found this on YouTube when I was searching for the right track to use for my next Late Night Dedication (which, being topical, I’ll have to post some time later tonight before everybody forgets the now two-day old event it refers to).

It made me smile, but it also ties in with a lot of themes I’ve pursued on this blog for five years and was therefore doubly appropriate for the century mark of my sort-of blog defining category (i.e., the one I can turn to when all others fail and I feel myself fading).

Mostly it’s a reminder that, in addition to all the other things they were, the Go-Go’s were one of the very greatest surf bands. Sure, they did a B-Side called “Surfing and Spying” back in the day, and Charlotte Caffey’s surf guitar was all over their epic first album….But it was only right that some day, before their final crackup (or should I say wipe out?), they’d be on stage somewhere playing “Surf City” at a Brian Wilson Tribute….and killing it.

The Wrecking Crew had nothing on them.

DIAMONDS IN THE SHADE…THE LOST YEARS OF THE GO-GO’S EDITION

“Cool Jerk”
The Go-Go’s (1990)
#60 UK
Recommended source: Greatest

“The Whole World Lost Its Head”
The Go-Go’s (1994)
#108 Billboard
Recommended source: Return to the Valley of the Go-Go’s

“Good Girl”
The Go-Go’s (1994)
Did not make the charts
Recommended source: Return to the Valley of the Go-Go’s

“Beautiful”
The Go-Go’s (1994)
Album Track
Recommended source: Return to the Valley of the Go-Go’s

Weird.

gogos1

Every once in a while when I’m noodling around, doing nothing in particular, I think of something from days gone by and then, being now properly programmed by modernity, I naturally think again. What I tend to think the second time is “I wonder if it’s on YouTube?”

One of the things I still can’t believe is not on YouTube, no matter how often I’ve thought “surely it must be there by now,” is the Go-Go’s’ MTV video for “Turn to You,” the last great single of their original incarnation, which ended in 1984. One reason I keep hoping it will be there is so I can do a “Not Quite Random Favorites” edition titled “My Favorite Video” because nothing else comes within a thousand miles. (That’s the one where they played a band at a sock-hop…and their own dates. Maybe they really did need a break.)

Anyway, last night I went looking for it yet again and found it still wasn’t there. There’s a mini-doc on the making of “Turn to You”–of course there is–but not the actual video.

Story of my life and all that.

But, this time, clicking around, I started thinking of other things that should be there, none of which I ever thought to look for before.

By which I mean videos from “the lost years”….those years between 1984’s Talk Show and 2001’s God Bless the Go-Go’s, when they popped in and out a couple of times and did what they always did, which was be perfect.

Sometimes, what other people did with and to them wasn’t perfect. Whoever put the extra disco-fied ‘effects’ on this wasn’t perfect. But I’m sure it wasn’t their idea. They were barely paying attention to themselves or each other when this came out in 1990. But having the video finally makes sense of it (in a way its inclusion on their first greatest hits package didn’t). What’s clear hearing–and seeing–it now, at least to me, is that Belinda Carlisle had turned from a singer who was right for her band to a singer who could carry any band. I missed that at the time so a mea culpa is in order.

They were paying a little more attention when they got together and recorded three new songs of their own for 1994’s full-blown retrospective Return to the Valley of the Go-Go’s. Almost inconceivably, I had never even wondered if they made any videos attending that little project, so I went searching deeper and found this, for the lead single from the project….which isn’t much of a video (not nearly as good as “Cool Jerk,” let alone what they had done in their heyday) but is a fabulous record. Even if the faint tang of my disappointment in finally realizing that “Boston girls are getting down in bikinis” (a touch of poetry) was really “Muslim girls” (meh) remains, it’s failure to break out still serves as one of the Seven Signs of the Apocalypse…

…And it wasn’t even the best of the three sides they cut for Return.

This, for which they released a single but didn’t make a real video, was better, and has the new-and-improved Carlisle’s finest vocal…

..and I’m not even sure it was the best…depends on the mood I guess. It’s worth reading the quotes at the beginning of each song, but they won’t break any ties.

All in all, that should have been enough to re-start their career.

But it wasn’t.

God Bless the Go-Go’s came out a full seven years later and, instead of really promising more, its final track sealed the whole deal. Years of summer reunion gigs, Kathy Valentine’s departure, and one of those “farewell tours” (at least I think there was only one) formalized it.

But the end was right there in that final track, now commemorated in my favorite “homemade” video.

For some perspective, here’s a nice piece from Goldmine, circa 2011, before Valentine left the band, where, among other things, they debunk any notion that being an all-female band was actually some kind of advantage, post-punk. Turns out that, through no fault of their own, Fanny and the Runaways (both signed by big labels and given major publicity pushes in the decade prior) hadn’t so much blazed a trail as crapped the table.

I’m reading between the lines, of course.

Just more fuel for the argument I made at the time and have made ever since: they didn’t blaze all those trails because it was, as so many argued, “time” for an all-female band. They blazed all those trails because they were the Go-Go’s. It’s only in critical theory that the theories count. In the real world, it’s always the people who matter.

gogos2

(Belinda Carlisle, Charlotte Caffey, Gina Schock, Jane Wiedlin, Kathy Valentine)