PSYCHOLOGY OF A (COMPLICATED) SONG (Segue of the Day (2): 7/4/17)

Martina McBride released “Independence Day” in 1994. By her standards it was a relatively modest hit. Her previous two singles had gone top ten Country. “Independence Day” stalled at #12. In the years since she has racked up an additional fifteen country top tens, including five #1’s.

There is no question “Independence Day” is her signature song.

I’ve posted the original video before but it’s worth repeating, as one of the strongest videos ever produced and, by my reckoning, the last really great country gothic murder ballad–no less a ballad for being a rocker and no less murder (or gothic) for being justified.

Since then, the song has gone through many permutations, some not so subtle (it was, for a long time and over songwriter Gretchen Peters’ strenuous objections, the theme song of Sean Hannity’s radio show), some subtle indeed (see below) where, weeks after Sept, 11, 2001, the song is turned into a foot-stomping melodrama, from which thousands of waving flags cannot quite remove the sting–or the irony–probably because McBride doesn’t know how to cheat (or at very least doesn’t know how to cheat this song):

…And ,all these years later still, via the miracle of YouTube, you can watch her let the audience snatch it all the way back to something primal enough that the narrator in the original might recognize it again.

Posted as the homemade fireworks boom over my little town’s streets. Happy rest of the year America!

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