RIGHT CROSS (Malcolm Young, R.I.P.)

It’s a little hard for a non-musician to say exactly what a rhythm guitarist adds to a rock and roll band but I’ve always assumed it had something to do with providing, you know, the rhythm.

If that’s true then few people have ever been a more hard core rock and roller than AC/DC’s Malcolm Young, who just passed away, twelve days after his older brother (and original producer), George, and three years after he retired from the band he founded with another brother, Angus, in the early seventies, as a result of complications due to early stage dementia. Because, before and after they were anything else, AC/DC were rhythm, rhythm, and more rhythm.

Yes, they wrote songs, including fifteen or twenty that became permanent radio staples and Malcolm had a strong hand it that, too. I suspect on some level, he played a role similar to John Entwistle’s in the Who–the steady hand, who took care of basic business, musically and otherwise, giving the more flamboyant personalities (in AC/DC, the head-banging, road-running, rhythm-rhythm-rhythm Angus, and the powerhouse rhythm-rhythm-rhythm lead singers Bon Scott and Brian Johnson) room to roam.

Unlike the punks who rose beside them or the death metal bands who sprang up in their wake (and often cited AC/DC as an influence), the Young brothers knew there was more to rhythm–and hence to the “rock and roll” they always insisted was a good enough description of what they did when anybody bothered to ask–than just playing loud, fast and primitive. Yes, they rocked–and rocked and rocked and rocked. But they never forgot to roll. Which is why they were a truly great band and also why they blasted out of more radios than all the punk and death metal bands combined back when rock and roll on the radio was still the common coin of the culture.

I suspect their “rhythm” guitarist had something to do with that, as well.

Malcolm Young and his band knew who they were, they kept on being who they were come hell or high water and they never quit or tried to be anyone else.

Very few of us get to pass to the next stage knowing we managed all that.

I hope the final highway led some place other than Hell, but, if not, at least Malcolm Young will be one of the very few who reach the last stop with his eyes wide open.

 

2 thoughts on “RIGHT CROSS (Malcolm Young, R.I.P.)

  1. Great post Neal. I completely agree with your commentary. AC/DC understood that their songs needed to have a “hook” in order to turn them into party anthems. Of course they had other aspects to their music that any group needs to have in order to make it in the biz, but they wrote catchy tunes, not just stuff that bludgeoned their audience.

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